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June Baldwin

Television executive June M. Baldwin graduated from Stanford University with her B.A. degree in psychology. She went on to receive her J.D. degree from Harvard Law School in 1975.

Following graduation, Baldwin served as clerk for the jurist Luther Swygert on the 7th Circuit Court of Appeals in Chicago, Illinois. She then moved to Los Angeles and was hired as an executive for NBC, where she was responsible for, among other things, the day-to-day business transactions for The Tonight Show and Carson Productions, the television and motion picture production company founded by the late talk show host, Johnny Carson. At NBC, Baldwin became one of the first African Americans to enter the executive ranks of the entertainment industry. She then worked for Norman Lear, Quincy Jones and Aaron Spelling, where she held the position of head of business affairs at their independent production companies.

Baldwin went on to be hired as vice president of business affairs at United Paramount Network. She also worked in a similar capacity at Columbia TriStar Television from 2000 until 2001. In 2004, Baldwin was hired as director of business and legal affairs at KCET, the nation’s largest independent public television station. Then, in 2010, she was promoted to vice president and general counsel of KCET. Baldwin has negotiated a variety of production deals, and has worked on such critically acclaimed productions as Auschwitz: Inside the Nazi State, A Place of Our Own, Los Ninos En Su Casa, Wired Science, and SoCal Connected.  In addition, for seven years she managed business and legal affairs for the PBS late-night talk show Tavis Smiley, and the primetime series Tavis Smiley Reports.

Baldwin has served on numerous boards, including the Hollywood Women's Political Committee, the Hollywood Policy Center, the Academy of Television Arts & Sciences, the California Women's Law Center, Planned Parenthood, the Archer School for Girls, Women in Film, Women in Film Foundation, Artists For A New South Africa, The Coalition for At-Risk Youth, NBC Credit Union, the Minority Health Institute, and the Black Entertainment and Sports Lawyers Association.

June M. Baldwin was interviewed by The HistoryMakers on November 18, 2013.

Accession Number

A2013.310

Sex

Female

Interview Date

12/20/2013

Last Name

Baldwin

Maker Category
Marital Status

Single

Middle Name

Michelle

Schools

St. Madeline Sophie

Ancilla Domini Academy

Shipley School For Girls

Stanford University

Harvard Law School

Search Occupation Category
First Name

June

Birth City, State, Country

Philadelphia

HM ID

BAL04

Favorite Season

Summer

State

Pennsylvania

Favorite Vacation Destination

Anywhere

Favorite Quote

Everything In Its Time

Bio Photo
Speakers Bureau Region State

California

Birth Date

10/4/1950

Birth Place Term
Speakers Bureau Region City

Los Angeles

Country

United States

Favorite Food

Vegetables

Short Description

Television executive June Baldwin (1950 - ) became one of the first African Americans to enter the executive ranks of the entertainment industry when she worked for NBC.

Employment

KCET

Columbia Tri Star TV

United Paramount Network

Spelling Television

Quincy Jones/David Salzman Entertainment

NBC

Favorite Color

Blue, Greens

Timing Pairs
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DAStories

Tape: 1 Story: 1 - Slating of June Baldwin's interview

Tape: 1 Story: 2 - June Baldwin lists her favorites

Tape: 1 Story: 3 - June Baldwin describes her mother's family background

Tape: 1 Story: 4 - June Baldwin talks about her mother's education and profession

Tape: 1 Story: 5 - June Baldwin describes her father's family background

Tape: 1 Story: 6 - June Baldwin talks about her father's young adult years

Tape: 1 Story: 7 - June Baldwin describes her parents' personalities

Tape: 1 Story: 8 - June Baldwin talks about her parents' civic activities

Tape: 1 Story: 9 - June Baldwin describes her early household

Tape: 1 Story: 10 - June Baldwin describes her earliest childhood memories

Tape: 1 Story: 11 - June Baldwin describes the sights and sounds of her childhood

Tape: 1 Story: 12 - June Baldwin remembers the Germantown neighborhood of Philadelphia, Pennsylvania

Tape: 2 Story: 1 - June Baldwin talks about her early education

Tape: 2 Story: 2 - June Baldwin recalls her decision to attend the Shipley School for Girls in Bryn Mawr, Pennsylvania

Tape: 2 Story: 3 - June Baldwin describes her early interest in acting

Tape: 2 Story: 4 - June Baldwin remembers race relations at the Shipley School for Girls

Tape: 2 Story: 5 - June Baldwin describes her religious experiences at the Shipley School for Girls

Tape: 2 Story: 6 - June Baldwin talks about the prominent figures who inspired her

Tape: 2 Story: 7 - June Baldwin recalls developing her racial identity during the late 1960s

Tape: 2 Story: 8 - June Baldwin remembers her teachers and guidance counselor at the Shipley School for Girls

Tape: 3 Story: 1 - June Baldwin reflects upon her time at the Shipley School for Girls in Bryn Mawr, Pennsylvania

Tape: 3 Story: 2 - June Baldwin talks about creating a scholarship at the Shipley School for Girls

Tape: 3 Story: 3 - June Baldwin recalls attending the March on Washington

Tape: 3 Story: 4 - June Baldwin remembers studying psychology at Stanford University in Stanford, California

Tape: 3 Story: 5 - June Baldwin talks about Eldridge Cleaver and Timothy Leary

Tape: 3 Story: 6 - June Baldwin recalls visiting the Black Panther Party in Algeria

Tape: 3 Story: 7 - June Baldwin talks about the Black Power movement at Stanford University

Tape: 3 Story: 8 - June Baldwin recalls her decision to attend Harvard Law School in Cambridge, Massachusetts

Tape: 4 Story: 1 - June Baldwin remembers her classmates and experiences at Harvard Law School

Tape: 4 Story: 2 - June Baldwin remembers her challenges at Harvard Law School

Tape: 4 Story: 3 - June Baldwin recalls clerking for Judge Luther M. Swygert

Tape: 4 Story: 4 - June Baldwin talks about her early legal career

Tape: 4 Story: 5 - June Baldwin describes her experiences at Morrison and Foerster LLP

Tape: 4 Story: 6 - June Baldwin recalls working for Silverberg, Rosen, Leon and Behr

Tape: 4 Story: 7 - June Baldwin talks about joining Women In Film

Tape: 4 Story: 8 - June Baldwin recalls her entry into the entertainment industry

Tape: 4 Story: 9 - June Baldwin describes her initial experiences at NBC

Tape: 4 Story: 10 - June Baldwin recalls working on 'The Tonight Show Starring Johnny Carson'

Tape: 4 Story: 11 - June Baldwin remembers the black television executives in the 1980s

Tape: 5 Story: 1 - June Baldwin talks about Michael Jackson's award at the NAACP Image Awards

Tape: 5 Story: 2 - June Baldwin recalls her proudest moments as a television business affairs executive

Tape: 5 Story: 3 - June Baldwin remembers working at Norman Lear's company, Act III Productions

Tape: 5 Story: 4 - June Baldwin talks about working for Quincy Jones Productions, Inc.

Tape: 5 Story: 5 - June Baldwin recalls working with Aaron Spelling Productions

Tape: 5 Story: 6 - June Baldwin remembers her music publishing venture with George Butler

Tape: 5 Story: 7 - June Baldwin recalls working at United Paramount Network

Tape: 5 Story: 8 - June Baldwin describes her work at Columbia TriStar Television

Tape: 5 Story: 9 - June Baldwin describes her position at KCET in Los Angeles, California

Tape: 6 Story: 1 - June Baldwin talks about the merger of KCET and Link TV

Tape: 6 Story: 2 - June Baldwin describes the growth and changes at KCETLink

Tape: 6 Story: 3 - June Baldwin talks about her board memberships, pt. 1

Tape: 6 Story: 4 - June Baldwin talks about her board memberships, pt. 2

Tape: 6 Story: 5 - June Baldwin shares her plans for the future

Tape: 6 Story: 6 - June Baldwin reflects upon her career

Tape: 6 Story: 7 - June Baldwin reflects upon her legacy in the entertainment industry

Tape: 6 Story: 8 - June Baldwin talks about her dating life

Tape: 6 Story: 9 - June Baldwin describes her family

Tape: 6 Story: 10 - June Baldwin talks about her international travels

Tape: 6 Story: 11 - June Baldwin describes how she would like to be remembered

Tape: 7 Story: 1 - June Baldwin narrates her photographs

DASession

1$1

DATape

3$3

DAStory

1$6

DATitle
June Baldwin reflects upon her time at the Shipley School for Girls in Bryn Mawr, Pennsylvania
June Baldwin recalls visiting the Black Panther Party in Algeria
Transcript
Well, tell us the Shipley [Shipley School for Girls; The Shipley School, Bryn Mawr, Pennsylvania] story.$$So obviously Shipley was a seminal event in my life. And for all of the, the challenges, I developed some wonderful friendships with a few girls there who are lifelong friends, like sisters. And they saw me; they--it didn't matter to them that I came from a different background or that I was black. And so they were my rocks, and we're still very, very close today. Also in 2003, Shipley gave me the distinguished alumna award, which was a huge shock to me because I had not had much contact at all with the school since I left. And I had an opportunity to tell my story, which I had never done. But I wanted them to know that I loved and appreciated the education that I got and that I saw it as a very positive thing. It was very difficult for my mother [Audrey McLaughlin Harris] to decide to send to me to Shipley. That was not something that we did in the black culture. You don't send your daughter off during her adolescent years to be part of a social experiment. And I'd never really realized how much that had weighed on my mother because, of course, that shaped the rest of my life. So they gave me the award, which was very lovely, and they honored and acknowledged my mother. And the school official said, "I don't think I would have had the courage to send my child away like that." And so I was very happy because although it's been my journey it was also my mother's. So fast forward, I ran into a Shipley classmate at Stanford [Stanford University, Stanford, California] whom I hadn't even been friends with at Stanford. Again, when I left Shipley I sort of didn't wanna have anything to do with Shipley. Fast forward, I run into this classmate, and she's a, a writer for The New York Times and she said, "I ha- it's great to see you. I have an idea and I'm wondering if you'd be interested." And the idea was to create a school sca- a class scholarship for an underprivileged girl of color. And she wondered if I thought that was a good idea, and if I would work with her on it. And I said oh, I think that's a great idea. So last May we went to our forty-fifth reunion, and we proposed this to the class, and that is what we're going to do. And sh- they have said that it was because of knowing me, and it was a time when their lives changed that that inspired her to want to do this scholarship. And so it just was so overwhelming for me to come out of the blue after all these years. Because I think when you make personal sacrifices--I mean I did it willingly and gratefully. I appreciated the opportunity. But at some point when you look at where race relations are today, and you say was it worth it--you know, was it worth it? And so this validates that. It was worth it. I mean, I decided it was worth it, but this is a, a, a really gratifying validation.$Now who was in the Panther [Black Panther Party] entourage, I guess, in Algeria besides Eldridge Cleaver?$$The names of the other people I don't know. I don't remember. What--I was very excited to be there. Eldridge Cleaver was extremely nice to me, very respectful. As I said he wanted to--me to stay on because I spoke French and be a translator. And I think as a result of my Shipley [Shipley School for Girls; The Shipley School, Bryn Mawr, Pennsylvania] experience and my own sense of identity, I had the big Afro, very much wanting to claim my identity, and wanting to have a quote, unquote revolutionary experience. I was a big supporter of the Panthers. You know, they were doing wonderful work; they were feeding children; they were educating children; they were providing healthcare services. I mean, they were being portrayed as terrorists, but they were doing many wonderful things. And they were just really seeking social justice for a lot of oppression that was going on. And so I wrote my mother [Audrey McLaughlin Harris]. I also was still interested in being the actor, so I had tried out for 'Hair' ['Hair: The American Tribal Love-Rock Musical']. There was a--in Marseille [France]. And I was finished with school [Stanford University, Stanford, California], and so I was a quarter ahead of myself because I had gone a year straight through. And I didn't wanna graduate early, so I wanted to stay in Europe for another three months. And I thought I'll try out for this play. Maybe I'll get this role. And then I went to Algeria and was asked to be the translator and it--and at first really wanted to do that. And so I said to him, "Well, you'll have to write my mother." And so he did, and my mother still has the letter in pale blue stationary with the Black Panther insignia that jumps out at you. And he wrote her a very nice letter asking permission for me to stay on for a couple of months and be a translator. And by day three, there used to be--everyone would be upstairs in a room and listening, talking, and the--there were concentric circles and I was in the second circle. And someone got up and went down to do kitchen duty, and I--who was in the first circle--and so I moved up to be in the first circle. And then the person came back, and I wasn't aware the person was going to come back, and so I said, "Oh, I'm sorry I took your seat." And he said, "Oh no, sister, you didn't take my seat; it's the people's seat." And in that moment I realized, hm, everything is communal here, and there weren't--there weren't any women. I wasn't seeing any women. And all of a sudden I realized, hm, I might become communal property (laughter) if I didn't affiliate or associate with someone. And of course that wasn't what I was wanting. You know, I was wanting to have this political experience. And so I decided that I didn't wanna stay, and so I did not. Meanwhile, I would have come--had I gone back--I would have still gone back to France and then come back. In the meantime, my mother got the letter, and she and my brother [William James] were quite horrified. And they admired the Panthers. It's not that they, they didn't, but they didn't want their daughter there in Algeria with--$$Now this is--$$--Eldridge Cleaver.$$I mean 'Soul on Ice' [Eldridge Cleaver] had been published in 1960 [1968]--well, I know I read it in '67 [1967], so it was already out. And he was--he made some remarks about women that weren't really very--$$Misogynistic.$$--encouraging.$$Yes, yes, but that's what I'm saying. That's what was so fascinating, because he was not like that at all with me. He was just this amazing gentleman and intelligent and just lovely, lovely. Now I was only there three days, but that was my experience. And when my mother decided--my brother was, "You tell her to get on a plane and come home." And my mother was like, "No, no, I'm just going to use the truth and, and add something." And so she told me she was going to have to have surgery, and she really would like me to be there for the surgery and so would I mind coming home. I still hadn't heard about the play. And she said, "And if you get in the play, then I'll send you back;" so I went home. And she was having surgery, but it wasn't, you know, as serious as I had thought (laughter), and they just wanted to get me home so. And then I did not get into the play so I did not go back.$$Now did you--did you happen to talk to Timothy Leary?$$No, I did not.$$Or see him even?$$I got a glimpse, but no.$$And was he (simultaneous)--$$(Simultaneous) They, they had him in a room. You know, we were staying at a hotel, and we would come over and be there during the days and the evenings.

Winifred Neisser

Television executive Winifred White Neisser received her B.A. degree with honors from Harvard University’s Radcliffe College in 1974. She received her M.A. degree in Elementary Education from Lesley College. Neisser also completed further graduate work in Communication Arts at the University of Wisconsin in Madison.

Upon graduation, Neisser was hired at NBC where she headed several major divisions. While there, she served as Vice President of Family Programming, Director of Movies for Television and Vice President of Television Movies, NBC Productions. As vice president of family programming at NBC, Neisser oversaw special programming for children and families, including the award-winning miniseries titled, “Jim Henson’s The Storyteller.” Neisser then joined Sony Pictures Television where she served as Senior Vice President of Movies for Television and Miniseries.

Neisser has served on the board of directors for several academic and non-profit institutes. At Harvard University, Neisser was appointed to the Harvard Board of Overseers as well as the Radcliffe Institute’s Advisory Board. She served as Trustee on the board of the Otis College of Design and The Center for Early Education. Neisser was a member of the Television Academy’s Board of Governors for several years. She also served on the boards of Planned Parenthood and the National Guild of Community Arts Schools.

Neisser’s award-winning projects include “A Raisin in the Sun” for ABC, which was nominated for three Emmy Awards and won the Humanitas Award; “Broken Trail,” a western for AMC, which won four Emmy Awards including “Best Miniseries”; “The Company,” a miniseries about the CIA which won the DGA Award and the WGA Award; “Having Our Stay: The Delaney Sisters First 100 Years,” which won a Christopher Award and a Peabody Award; “The Crossing” for the Arts and Entertainment Channel (A & E), which won the Peabody award; “The Beach Boys: An American Family,” which was nominated for an Emmy Award in the category of Best Miniseries; and “Call me Claus,” a Christmas movie which starred Whoopi Goldberg and featured music by Garth Brooks.

Neisser is married to Ken Neisser. They live in Los Angeles and have two children, Nick and Alexis.

Winifred White Neisser was interviewed by The HistoryMakers on November 17, 2013.

Accession Number

A2013.299

Sex

Female

Interview Date

11/17/2013

Last Name

Neisser

Maker Category
Marital Status

Married

Middle Name

White

Schools

Radcliffe College

Homestead High School

Emanuel L. Philipp Elementary

Lesley University

University of Wisconsin-Madison

Search Occupation Category
First Name

Winifred

Birth City, State, Country

Indianapolis

HM ID

NEI01

Favorite Season

Fall

State

Indiana

Favorite Vacation Destination

Anywhere

Favorite Quote

Use Common Sense

Bio Photo
Speakers Bureau Region State

California

Birth Date

3/23/1953

Birth Place Term
Speakers Bureau Region City

Los Angeles

Country

United States

Favorite Food

Shrimp

Short Description

Television executive Winifred Neisser (1953 - ) served as Vice President of Movies and Miniseries and Vice President of Family Programming for NBC Productions, and went on to become Senior Vice President of Movies for Television and Miniseries for Sony Pictures Television.

Employment

Sony Pictures Television (Columbia Tri-Star Television)

NBC

WMTV

Caribbean School

Elma Lewis School of Fine Arts

Favorite Color

Purple

Timing Pairs
0,0:917,19:1883,36:2297,43:2573,48:4367,89:4781,96:7541,151:8024,159:8300,164:10094,213:10370,218:12371,265:12923,276:13544,287:13958,294:14234,299:23438,523:27728,601:28118,607:28586,614:28898,619:33265,648:33589,653:34237,663:36436,677:36692,682:37268,693:38548,719:38804,724:40084,759:40404,765:40852,773:45210,799:48060,823:54777,933:55274,947:55771,955:56055,960:56481,967:59420,984:59680,989:61045,1020:64598,1050:65426,1063:65978,1070:66438,1075:67082,1083:70220,1097:70640,1105:71200,1114:71550,1120:72040,1129:72740,1143:73160,1150:81370,1294:81860,1303:83050,1323:83470,1334:86410,1380:87110,1392:92596,1445:93336,1458:97332,1557:101480,1576:102168,1585:103028,1599:103544,1606:108105,1673:108690,1684:109080,1691:113890,1811:114290,1817:115570,1837:115890,1842:116370,1849:116770,1855:117330,1864:118290,1878:118610,1883:125286,1938:125814,1945:126342,1953:126870,1960:130040,1980:130859,1991:131314,1997:132406,2013:133316,2025:133953,2034:139260,2098:139680,2105:139960,2110:143413,2152:144016,2164:144284,2169:144552,2174:145490,2192:146093,2203:146495,2210:147098,2226:153360,2311:153664,2316:155184,2357:155716,2367:156324,2377:157312,2393:160580,2467:163696,2540:164380,2553:164760,2559:165064,2564:169030,2572:172326,2613:172947,2625:174258,2658:174948,2672:175500,2689:176121,2702:176397,2707:177363,2724:177639,2729:177984,2736:178536,2746:179847,2769:186390,2802:190170,2876:192340,2930:192760,2937:194790,2978:196470,3015:202740,3076:203805,3096:205050,3102:207578,3154:207894,3159:208921,3182:209395,3189:209869,3196:212655,3210:213537,3227:214167,3243:214734,3254:218351,3282:219429,3301:219968,3310:220276,3315:221200,3335:222710,3346$50,0:3040,52:7710,110:8030,116:9246,136:9630,143:9886,152:10910,175:11166,180:14494,256:15006,266:16094,305:18590,379:18846,384:19102,389:19550,398:19870,404:40165,639:51180,767:52797,793:53721,808:54260,818:54876,827:70040,998:75186,1101:76146,1122:78066,1187:79282,1212:79666,1219:79986,1225:80306,1231:85580,1290:92555,1403:95516,1473:98414,1550:99044,1562:101312,1618:101690,1628:101942,1633:106978,1682:107362,1692:111954,1749:112459,1755:114570,1761:115545,1790:116070,1798:116745,1812:117195,1820:131566,2031:132986,2057:148591,2301:148867,2306:149212,2312:151006,2342:151903,2358:152593,2371:160903,2510:164382,2615:173952,2724:175176,2747:177984,2811:181584,2895:182376,2913:182808,2920:185550,2928
DAStories

Tape: 1 Story: 1 - Slating of Winifred Neisser's interview

Tape: 1 Story: 2 - Winifred Neisser lists her favorites

Tape: 1 Story: 3 - Winifred Neisser describes her mother's family background

Tape: 1 Story: 4 - Winifred Neisser describes her maternal grandfather's education

Tape: 1 Story: 5 - Winifred Neisser describes her maternal grandparents' move to Indianapolis, Indiana

Tape: 1 Story: 6 - Winifred Neisser talks about her maternal family's emphasis on education

Tape: 1 Story: 7 - Winifred Neisser describes her father's family background

Tape: 1 Story: 8 - Winifred Neisser talks about how her parents met

Tape: 1 Story: 9 - Winifred Neisser recalls her parents' decision to move to Milwaukee, Wisconsin

Tape: 2 Story: 1 - Winifred Neisser describes her parents' personalities

Tape: 2 Story: 2 - Winifred Neisser describes her mother's community involvement

Tape: 2 Story: 3 - Winifred Neisser lists her siblings

Tape: 2 Story: 4 - Winifred Neisser describes her earliest childhood memory

Tape: 2 Story: 5 - Winifred Neisser remembers Emanuel L. Philipp Elementary School in Milwaukee, Wisconsin].

Tape: 2 Story: 6 - Winifred Neisser recalls moving to Mequon, Wisconsin, pt. 1

Tape: 2 Story: 7 - Winifred Neisser recalls moving to Mequon, Wisconsin, pt. 2

Tape: 2 Story: 8 - Winifred Neisser describes her experiences at Homestead High School in Mequon, Wisconsin

Tape: 3 Story: 1 - Winifred Neisser describes her academic and extracurricular involvement in high school

Tape: 3 Story: 2 - Winifred Neisser describes her early exposure to black media

Tape: 3 Story: 3 - Winifred Neisser talks about her early experiences of religion, pt. 1

Tape: 3 Story: 4 - Winifred Neisser talks about her early experiences of religion, pt. 2

Tape: 3 Story: 5 - Winifred Neisser remembers her college applications

Tape: 3 Story: 6 - Winifred Neisser recalls her start at Radcliffe College in Cambridge, Massachusetts, pt. 1

Tape: 3 Story: 7 - Winifred Neisser recalls her start at Radcliffe College in Cambridge, Massachusetts, pt. 2

Tape: 3 Story: 8 - Winifred Neisser describes her experiences at Harvard University

Tape: 4 Story: 1 - Winifred Neisser describes her extracurricular activities at Radcliffe College in Cambridge, Massachusetts

Tape: 4 Story: 2 - Winifred Neisser remembers hearing Reverend Jesse L. Jackson and Alice Walker speak at Harvard University

Tape: 4 Story: 3 - Winifred Neisser talks about the black student movement at Harvard University

Tape: 4 Story: 4 - Winifred Neisser remembers the influential figures at Harvard University

Tape: 4 Story: 5 - Winifred Neisser recalls her graduation from Radcliffe College

Tape: 4 Story: 6 - Winifred Neisser remembers teaching at the Elma Lewis School of Fine Arts, pt. 1

Tape: 4 Story: 7 - Winifred Neisser remembers teaching at the Elma Lewis School of Fine Arts, pt. 2

Tape: 4 Story: 8 - Winifred Neisser remembers moving to Puerto Rico, pt. 1

Tape: 4 Story: 9 - Winifred Neisser remembers moving to Puerto Rico, pt. 2

Tape: 4 Story: 10 - Winifred Neisser talks about her transition to the broadcast industry

Tape: 5 Story: 1 - Winifred Neisser recalls her work at WMTV-TV in Madison, Wisconsin, pt. 1

Tape: 5 Story: 2 - Winifred Neisser recalls her work at WMTV-TV in Madison, Wisconsin, pt. 2

Tape: 5 Story: 3 - Winifred Neisser remembers moving to Los Angeles, California

Tape: 5 Story: 4 - Winifred Neisser recalls working with Phyllis Tucker Vinson Jackson

Tape: 5 Story: 5 - Winifred Neisser describes her work as NBC's vice president of family programming

Tape: 5 Story: 6 - Winifred Neisser talks about her collaboration with Jim Henson

Tape: 5 Story: 7 - Winifred Neisser recalls her transition to the television movie division of NBC

Tape: 5 Story: 8 - Winifred Neisser describes her role in the Danielle Steel movie franchise

Tape: 6 Story: 1 - Winifred Neisser describes the changes in the television industry

Tape: 6 Story: 2 - Winifred Neisser talks about the regulations on broadcast networks

Tape: 6 Story: 3 - Winifred Neisser remembers joining Columbia TriStar Pictures

Tape: 6 Story: 4 - Winifred Neisser describes her career at Sony Pictures Entertainment, pt. 1

Tape: 6 Story: 5 - Winifred Neisser describes her career at Sony Pictures Entertainment, pt. 2

Tape: 6 Story: 6 - Winifred Neisser remembers producing 'Gifted Hands: The Ben Carson Story'

Tape: 6 Story: 7 - Winifred Neisser recalls producing 'Having Our Say: The Delany Sisters' First 100 Years'

Tape: 6 Story: 8 - Winifred Neisser remembers producing 'Broken Trail'

Tape: 6 Story: 9 - Winifred Neisser talks about the importance of stories that resist racial stereotypes

Tape: 6 Story: 10 - Winifred Neisser describes her current projects

Tape: 6 Story: 11 - Winifred Neisser talks about Amy Biehl, pt. 1

Tape: 7 Story: 1 - Winifred Neisser talks about Amy Biehl, pt. 2

Tape: 7 Story: 2 - Winifred Neisser describes what she may do in the future

Tape: 7 Story: 3 - Winifred Neisser talks about African Americans in broadcast media

Tape: 7 Story: 4 - Winifred Neisser describes a story that she likes

Tape: 7 Story: 5 - Winifred Neisser describes her advice to aspiring broadcasters

Tape: 7 Story: 6 - Winifred Neisser reflects upon her life

Tape: 7 Story: 7 - Winifred Neisser reflects upon her legacy

Tape: 7 Story: 8 - Winifred Neisser describes her concerns for the African American community

Tape: 7 Story: 9 - Winifred Neisser talks about her family

Tape: 7 Story: 10 - Winifred Neisser talks about balancing life and work

Tape: 7 Story: 11 - Winifred Neisser describes how she would like to be remembered

Tape: 8 Story: 1 - Winifred Neisser narrates her photographs

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DATitle
Winifred Neisser recalls moving to Mequon, Wisconsin, pt. 2
Winifred Neisser remembers joining Columbia TriStar Pictures
Transcript
Yeah, so here we were, so we were moving into foreign territory. Now, you know, I was twelve years old and I didn't wanna move anyway 'cause all my friends were back in Milwaukee [Wisconsin]; I had gone to the same school from kindergarten through eighth grade; most of my friends in school were going off the Rufus King [Rufus King High School; Rufus King International High School, Milwaukee, Wisconsin], so I was like, if they can do it why can't I? And my parents [Winifred Parker White and Walter White, Sr.] said well, you're not old enough. You're not old enough to understand why we--why we're making this move, and we promise that we will bring you back to visit your friends in Milwaukee. Now the drive from Milwaukee to Mequon [Wisconsin] is about fifteen minutes, but to me it was like moving to the moon because it was so different. And, and, and I didn't wanna do it, and I didn't even know what my parents were going through because they really kept it--kept it very quiet from, from us. The, the first real inkling that I got that we were moving into hostile territory was when we actually moved into the house, and my mother said to us, "Don't answer the phone," (laughter). And (unclear), "What are you talking about don't answer the phone?" She said, "I'm--until I tell you differently, do not answer the telephone." So--and it was because they were getting all kinds of threatening phone calls from people. So we moved in the middle of the school year--or not in the middle but towards the end of the school year. We mu--we must have moved in March or April, and my mother drove us into Milwaukee everyday so we could continue--so we could finish our school years at Philipps School [Emanuel L. Philipp Elementary School, Milwaukee, Wisconsin]. And, and, and the only reason I bring this up is because, even though there were the neighbors who were hostile and, and nasty, one day towards the end of the school year my mother locked her car keys inside the house just as she was supposed to come and pick us up. And so she, she didn't know what to do in the days before cell phones and all of that. So she went--she went to our next door neighbor, who was actually a Jewish doctor, who was actually very nice, Dr. Finkelstein [ph.]. He wasn't home. So then she went to the next house, and she knocked on the door. And this is a woman she actually didn't know very well, and her name was Mrs. Kenop [ph.]. And she explained her situation to Mrs. Kenop, and Mrs. Kenop said--she--and my--and my mother said, if you could just call my husband and tell him that he needs to go pick up the children, or if you would let me come in and I would, you know, call him. I just need somebody to know that I can't get there. And Mrs. Kenop said, "Take my car," and gave my mother the keys to her car. So I re- I have--I just have this very vivid memory of standing there waiting for my mother and my mother driving up and going, "Where did you get this car?" It wasn't a particularly nice car, but it was--it was not her car. And that was--and that was one of the first signs to the family that things were gonna be okay, that there were--there were really decent people in the neighborhood who were, you know, willing to help us out. And, and, and things did sort of start to turn around a little bit after that.$Your career at NBC basically ends in '95 [1995], is that--?$$ Yeah, basically NBC Productions went through a major restructuring. The people that had hired me and put me in that position were replaced, and they didn't fire me. They actually said, "What would you like to," you know, "would you like to stay on or would you like to leave?" But I realized I was kind of out of sync with this new group that was there, and at this point I had two kids. I had--let's see; this was, like, the end of '94 [1994], so Nick [Nicholas Neisser] was two and Alexis [Alexis Neisser] was four. And I thought: I don't mind taking a little time off here and regrouping and trying to figure out what I wanna do next. So I said--so I came to the end of my time there, and I was really planning on taking time off. And went to a cocktail party for a friend of mine who was an agent, and--I, I can't remember if she was being promoted or something. And I ran into a woman who worked at what was then Columbia TriStar [Columbia TriStar Television] and who had been my--who had sold movies to me. The--basically, when you were at the network, there were certain producers--you were assigned certain producers and they would always bring their projects to you. And this woman and I had worked on a few projects together, and I ran into her at this cocktail party--Helen Verno. And she said, "What are you up to?" Because since I'd been at NBC Productions I hadn't been dealing with, with her anymore because we were now competitors. And I said, "Oh, I'm just leaving NBC Productions," and she said, "Oh, my god, my development person is just leaving. Would you think of--would you consider coming to work for me?" So I was--my leave of absence was I think three weeks before I was back (laughter) working again. And I went to work at what was then Columbia. This was before Sony [Sony Pictures Entertainment] bought the studio.$$Okay, okay, all right, so, so at Columbia, which, which becomes Sony later on--$$ Right.$$Yeah--$$ Now I will say that part of way that I did--part of the reason I took the job was because she said to me--you know, she said, "I don't think I can pay you what NBC was paying you." And I said, "Well, look, I was really planning on taking time off, so if you tell me I can go home every night at six o'clock and, and that you're not going to ask questions if I take off to go on a fieldtrip at my kids' school, and give me, you know, a certain amount of flexibility, then I don't mind working for less money." It wasn't that much less, but it was still less. And she said, "Fine," and so that was--that was my compromise of going back to work.$$Okay, that was a good move for--$$ It was. It, it actually was--it was a great move. And it turned--and you know, and it was just lucky that the studio was ten minutes from my house, so (laughter). Whereas NBC had been like a forty-five minute commute.