The Nation’s Largest African American Video Oral History Collection Mobile search icon Mobile close search icon
Advanced Biography Search
Mobile navigation icon Close mobile navigation icon

Michelle Boone

City administrator Michelle T. Boone was born in Chicago, Illinois. She later moved with her family to Gary, Indiana where she was raised and attended school. Boone graduated from high school in Gary and then enrolled in Indiana University at Bloomington and went on to receive her B.A. degree in telecommunications in 1983. Later, in 1998, she earned her M.P.A. degree in nonprofit management from the Indiana University at Bloomington.

Boone began her professional career in 1983 as a television engineer working for Chicago network affiliates such as WMAQ-TV, WLS-TV, and WBBM-TV. During her tenure at WLS-TV, Boone worked with the team that launched The Oprah Winfrey Show (formerly AM-Chicago). Boone continued to work as a freelance television engineer. In 1990, she was brought on as the Midwest Regional Promotions Manager with Virgin Records after several other stints in the record industry with Capitol Records, CEMA Distribution, and Orpheus Records. While there, she was responsible for promoting popular R&B recording artists, including Paula Abdul, Lenny Kravitz, After 7 (Virgin Records), M.C. Hammer, Freddie Jackson, Dianne Reeves and many others.

In 1994, Boone served as a volunteer with the United States Peace Corps in Chad, Africa where she worked to install pumps and wells in small villages throughout the Southern region of the country. In 1998, after completing her M.P.A. degree, Boone joined the City of Chicago’s youth job training program, Gallery 37, and was ultimately promoted as director of the program. In 2003, she became the senior program officer of Arts and Culture at The Joyce Foundation and was responsible for managing an annual $2 million arts portfolio for arts and culture initiatives. She also managed the innovative Joyce Awards program that supports the development of minority artists. In addition to her duties at The Joyce Foundation, she also served as an adjunct professor at De Paul University in 2007. In 2011, Boone was appointed Commissioner of the City of Chicago’s Department of Cultural Affairs and Special Events by Mayor Rahm Emanuel.

Boone has served on the national boards of Grantmakers in the Arts and Americans for Arts. She was appointed as a member of the board of directors of the Arts Alliance Illinois, the Third Coast International Audio Festival, the South Chicago Arts Center, and NeighborSpace. In addition, Boone served as a reviewer for the National Endowment for the Arts, the Illinois Arts Council, the Ramuson Foundation, and the Cuyahoga Arts and Culture Program in Ohio. In 2010, she was awarded the Actors Equity Association Spirit Award; and, in 2011, she received the August Wilson Award from the Goodman Theatre.

Michelle T. Boone was interviewed by The HistoryMakers on August 19, 2013.

Accession Number

A2013.219

Sex

Female

Interview Date

8/19/2013

Last Name

Boone

Maker Category
Marital Status

Single

Middle Name

T.

Occupation
Schools

Indiana University

First Name

Michelle

Birth City, State, Country

Chicago

HM ID

BOO03

Favorite Season

Fall

State

Illinois

Favorite Vacation Destination

Marrakesh, Morroco

Favorite Quote

None

Bio Photo
Speakers Bureau Region State

Illinois

Birth Date

7/17/1961

Birth Place Term
Speakers Bureau Region City

Chicago

Country

United States

Favorite Food

Fried Chicken

Short Description

City commissioner Michelle Boone (1961 - ) was the former senior program officer of Arts and Culture for The Joyce Foundation, and served as Commissioner of the City of Chicago's Department of Cultural Affairs and Special Events.

Employment

WBBM TV

WLS TV

Virgin Records

Peace Corps

Gallery 37

Joyce Foundation

DePaul University

City of Chicago

WMAQ TV

Favorite Color

Black

Joan Sandler

Joan Delores Sandler was born on October 2, 1934 in Harlem, New York. Her mother worked as a nurse’s aide and domestic and her father was an elevator operator. Sandler was educated in New York City public schools earning her high school diploma in 1952 from the New York High School of Music and Arts.

After graduation, Sandler worked as a clerk for an insurance company. She also surrounded herself with artists and musicians, while becoming a political activist involved in the peace movement. In the early 1960s, Sandler began studying theatre with the Negro Ensemble Company and landed a role on the television drama series, Black Girl.

She began her art career in 1975, working as a program specialist for the Department of Cultural Affairs. Sandler then went on to work for the Black Theatre Alliance and Fundraising in the Public Interest. From 1983 until 1987, she worked for the Metropolitan Museum of Art where she was in charge of community education. She also worked for the National Endowment for the Arts and the Museum of American Folk Art. In 2001, Sandler served as executive director for the foundation of her longtime friend, artist Romare Bearden. The Romare Bearden Foundation continues Bearden’s visual arts legacy through community outreach and education.

Sandler continues to consult in arts education. She has worked as a lecturer and faculty member at Hunter College, New York University, Marymount College and Princeton. She has served as an advisor to many foundations and grant making organizations. Sandler has received a number of awards and honors for her contributions to arts education.

Accession Number

A2005.035

Sex

Female

Interview Date

2/2/2005

Last Name

Sandler

Maker Category
Marital Status

Divorced

Occupation
Schools

Fiorello H. LaGuardia High School of Music & Art and Performing Arts

P.S. 10 Magnet School for Science and Technology

P.S. 113 Anthony J. Pranzo

Julia Ward Howe Junior High School 81

Ps 333 Manhattan School For Children

Speakers Bureau

Yes

Speakers Bureau Availability

Depends on Schedule

First Name

Joan

Birth City, State, Country

New York

HM ID

SAN03

Speakers Bureau Preferred Audience

Adults, Seniors, Cultural Organizations and Artists

Speakers Bureau Honorarium

Yes

Favorite Season

Fall

Speaker Bureau Notes

Preferred Audience: Adults, Seniors, Cultural Organizations and Artists

State

New York

Favorite Vacation Destination

Southern Europe, Caribbean, South America

Favorite Quote

None

Bio Photo
Speakers Bureau Region State

New York

Birth Date

10/2/1934

Birth Place Term
Speakers Bureau Region City

New York

Country

United States

Favorite Food

Soul Food, French, Italian, West Indian Food

Short Description

Arts educator Joan Sandler (1934 - ) worked for the Metropolitan Museum of Art and the National Endowment for the Arts. She was also a lecturer and faculty member at several colleges and universities.

Employment

Romare Bearden Foundation

Museum of American Folk Art

National Endowment for the Arts

The Metropolitan Museum of Art

Fundraising in the Public Interest

The Black Theater Alliance

New York City Department of Cultural Affairs

Favorite Color

Turquoise

Timing Pairs
0,0:774,10:1548,21:2494,68:12212,197:26720,312:36333,459:37152,487:37698,502:38608,520:42885,576:46434,649:48436,728:57488,788:58664,827:67680,1008:73259,1047:74365,1135:89579,1320:89983,1325:92003,1364:103680,1565$0,0:14124,344:14436,349:15138,379:20208,477:22002,542:23172,572:32866,690:33838,705:37969,792:38698,805:39265,813:39589,818:40075,825:41776,859:42667,875:43072,881:43558,889:55931,1052:56627,1062:58106,1096:59063,1121:59585,1128:62630,1188:68623,1252:69316,1271:73604,1338:74060,1350:77860,1404:78164,1409:98736,1729:101258,1761:101840,1767:102325,1774:102713,1779:103489,1788:119260,1997:119962,2007:120352,2016:120820,2053:127155,2137:130008,2158:131496,2174:136425,2287:138843,2338:149523,2509:150252,2526:152034,2567:156408,2662:167910,2790:175622,2898:176364,2906:196243,3203:216538,3519:220760,3548:222434,3568:224108,3591:224852,3600:229316,3675:233477,3719:233745,3724:234214,3732:252762,3964:254010,4027:254874,4049:257940,4080:259144,4120:260434,4203:270210,4270
DAStories

Tape: 1 Story: 1 - Slating of Joan Sandlers' interview

Tape: 1 Story: 2 - Joan Sandler lists her favorites

Tape: 1 Story: 3 - Joan Sandler describes her mother

Tape: 1 Story: 4 - Joan Sandler describes her father

Tape: 1 Story: 5 - Joan Sandler talks about her parents' divorce

Tape: 1 Story: 6 - Joan Sandler describes her maternal grandparents

Tape: 1 Story: 7 - Joan Sandler talks about her ancestry

Tape: 1 Story: 8 - Joan Sandler describes her earliest childhood memory

Tape: 1 Story: 9 - Joan Sandler lists her siblings

Tape: 1 Story: 10 - Joan Sandler remembers holiday celebrations in her childhood

Tape: 1 Story: 11 - Joan Sandler shares stories about her mother's and her maternal aunt's experiences in Harlem, New York, New York

Tape: 1 Story: 12 - Joan Sandler shares memories of growing up in Harlem, New York, New York

Tape: 2 Story: 1 - Joan Sandler talks about her mother's family history

Tape: 2 Story: 2 - Joan Sandler describes rent parties at her home in Harlem, New York

Tape: 2 Story: 3 - Joan Sandler describes the sights, sounds and smells of her childhood

Tape: 2 Story: 4 - Joan Sandler remembers a special Christmas with her mother

Tape: 2 Story: 5 - Joan Sandler describes her elementary and junior high school experiences in New York, New York

Tape: 2 Story: 6 - Joan Sandler describes living with family in Rocky Mount, North Carolina after her parents' separation

Tape: 2 Story: 7 - Joan Sandler talks about her stepfather, Willis Hunter

Tape: 2 Story: 8 - Joan Sandler recalls her interests at Julia Ward Howe Junior High School 81 and The High School of Music and Art in New York, New York

Tape: 2 Story: 9 - Joan Sandler talks about listening to radical street orators in Harlem, New York, New York

Tape: 2 Story: 10 - Joan Sandler talks about her early adult life in Harlem, New York, New York

Tape: 3 Story: 1 - Joan Sandler talks about the early years of her marriage to Alvin Sandler

Tape: 3 Story: 2 - Joan Sandler talks about Louis E. Burnham's influence on her life

Tape: 3 Story: 3 - Joan Sandler talks about her friendship with Lorraine Hansberry

Tape: 3 Story: 4 - Joan Sandler describes living in Mexico with her family

Tape: 3 Story: 5 - Joan Sandler remembers the political atmosphere of New York, New York in the 1960s

Tape: 3 Story: 6 - Joan Sandler describes her work with the New York City Department of Cultural Affairs

Tape: 3 Story: 7 - Joan Sandler recalls her work with the Black Theatre Alliance and acting career

Tape: 3 Story: 8 - Joan Sandler remembers developments in African American art from the 1960s to 1980s

Tape: 4 Story: 1 - Joan Sandler describes the effects of political activism on her family life

Tape: 4 Story: 2 - Joan Sandler describes her work as an artists' model and promoting black films

Tape: 4 Story: 3 - Joan Sandler talks about working at the Metropolitan Museum of Art in New York, New York

Tape: 4 Story: 4 - Joan Sandler describes changes in the black art world in the 1980s

Tape: 4 Story: 5 - Joan Sandler talks about her work as a regional representative for the National Endowment for the Arts

Tape: 4 Story: 6 - Joan Sandler talks about consulting for arts foundations and museums

Tape: 4 Story: 7 - Joan Sandler talks about growth in the black filmmaking and the need for developing black theatre

Tape: 4 Story: 8 - Joan Sandler describes the purpose of an artist-based foundation

Tape: 5 Story: 1 - Joan Sandler talks about her goals and plans for the Romare Bearden Foundation in New York, New York

Tape: 5 Story: 2 - Joan Sandler talks about challenges for contemporary African American artists

Tape: 5 Story: 3 - Joan Sandler talks about her daughters, Eve and Kathe Sandler, and their careers

Tape: 5 Story: 4 - Joan Sandler reflects upon her life

Tape: 5 Story: 5 - Joan Sandler reflects upon the importance of history

Tape: 5 Story: 6 - Joan Sandler describes how she would like to be remembered

Tape: 5 Story: 7 - Joan Sandler shares her memories of Paul Robeson

Tape: 5 Story: 8 - Joan Sandler recalls James Baldwin's final days

Tape: 5 Story: 9 - Joan Sandler reflects upon her legacy

Tape: 5 Story: 10 - Joan Sandler describes her hopes for the African American community

Tape: 5 Story: 11 - Joan Sandler describes her hopes for the future

Tape: 5 Story: 12 - Joan Sandler narrates her photographs, pt. 1

Tape: 6 Story: 1 - Joan Sandler narrates her photographs, pt. 2

DASession

1$1

DATape

2$4

DAStory

4$3

DATitle
Joan Sandler remembers a special Christmas with her mother
Joan Sandler talks about working at the Metropolitan Museum of Art in New York, New York
Transcript
Tell me a little bit about the Christmas with no ornaments.$$Yeah. That was the building, yeah, before we moved to 113th Street [New York, New York]. And, I guess I was ten years old around that time, maybe a little older. And, we knew it was Christmas and we knew there was not a gift in the house. And, no special foods 'cause normally there would be that. There was just a very poor Christmas. And, my mother [Mary Wade Alexander] had a boyfriend at that time and either he was still with his family and coming back and forth, or he just wasn't present. And, we had nothing. And, my mother said--and, I guess we were just sort of walking around, you know, just looking sad but not complaining loud, but my mother saw that. And, she just took all these magazines and pieces of paper and she made all these wonderful things by hand. And, she got us involved in making it. And, my brothers tell the same story. They were smaller than me at the time. And, she just had this incredible spirit and magic about her that she could pull us from the dust bin really, and make, make Christmas. And, all--so these decoration were handmade. My mother was very good with her hands. She was a great seamstress, and she was a great cook, and she, she just had this creative spirit. And, it's a Christmas--and we had just about enough food in the house at that time. And, it's a Christmas I and my brothers, when we get together, we talked about it. But, now my older brothers have passed away, but they remembered it very well. And, they remember her spirit.$Let's talk about your work at the Metropolitan Museum of Art [(The Met), New York, New York].$$Yeah. I was trying to remember where I was just before I went to The Met. Let me get this story straight, now (simultaneous).$$(Simultaneous) You were at Fundraising in the Public Interest.$$Yeah, Fundraising--I guess I did go straight to The Met from there. In fact, the position that was created before I went there, my dear friend Herb Scott-Gibson [Herbert Scott-Gibson] was working for them. And, it were called [Department of] Community Education. There was a whole education department that was devoted to non--all the stuff The Met had not done for years. It was making the museum accessible for people in wheelchairs. It was bringing in community groups if you live--coming to the gallery; was working with senior citizens. I had about, it was in that department about four or five places for people. Also, doing bilingual lecturers and that kind of thing. I think I mentioned that. But, my friend Herb Scott-Gibson who had that job for about two years passed away. And, he was a good friend of mine. He passed away and, and it was rather shocking. And, then I--someone from The Met called me and said, you know, "They're looking for someone, would you come in and interview for it?" I must have known at least a dozen people from around the country--no, didn't know who they were, in some cases I knew them; who interviewed for it. And, I, you know, I was interested in the job certainly but it was always fascinating to me that when Philippe de Montebello said, "She's the one" (laughter). So, I said, "Okay, not bad, not bad." I was told that much later by people who sat in on the interview. So, I was there for I guess close to four years with a very exciting department. A couple of snakes in the grass who tried to, you know, bite my ankles off and that kind of thing.$$(Laughter).$$And, but we did a lot of wonderful things and as a result I was able to also bring musicians into the museum, like Randy Weston and people like that; have an afternoon talk between Romare Bearden and [HistoryMaker] Richard Long, have those ki- that caliber of people there. The head of the Museo [de Arte de Puerto Rico] in [Santurce] Puerto Rico, the head of the culture institutions there would come. And, we'd do whole wonderful talks in Spanish. And, I asked to Philippe to introduce them, 'cause Philippe spoke Spanish even though he's, he's French, he spoke wonderful Spanish. And, he would, you know, some of the scholars he knew. So, I was able to just move into a lot of different directions with enormous resources. And, then, then things got a little tight there and a little funny 'cause I was also very much a favorite, not just by Philippe but also by the president of the museum, Bill Macomber [William B. Macomber Jr.]. And, and then the last thing I did there working with my neighbor who has a Ph.D. from Harvard [University, Cambridge, Massachusetts], I did a study on the needs and the patterns of professionals of color and art museums in America. And, I had mostly--focusing actually on the northeast and maybe the mid, mid-Atlantic states, yeah, down passed Washington [D.C.].$$What did you discover in your study (simultaneous)?$$(Simultaneous) Well, I discovered that art museums are the hardest places to work in, in that you're--the, being accepted and considered on the par as your white counterpart, even if you might come in with all the degrees and everything, that never happened. Art museums adjusted poorly and slowly to what was the changing population on many levels. Not just in the program area but in the hiring practices and that kind of thing. We found that museums that weren't, even though they weren't a part of the study that were like science museum, natural history museum, historical societies were a little more open to, to diversity. And, to diversity among professionals and encouraging that. It was, it was an interesting study. It was used for a long time in a lot of situations, and it was, it was known all over the country. And, I was active in the museum professional associations, and that kind of thing. And, then that was the last thing I did and that was my last year at The Met.